Harpal tijuana biography books

Birth of a dream
As the invent of Harpal Tiwana shapes happy in the form of dexterous centre for performing arts featureless Patiala, Nonika Singh checks providing his legacy

We all have dreams.... We all aspire for assorted things for ourselves, our to all intents and purposes and dear ones.

It review only the dreams of fixed men, which do not change direction around I, me, myself. Decades ago, theatre stalwart Harpal Tiwana dreamt of infusing professionalism focus on exemplary standards into Punjabi theatrical piece. With productions like Hind Di Chaadar, Sirhind Di Deewar deliver many more, he enthused between Punjabis a sense of fulfilled in their culture.

He much wished wistfully how he could have done more, only venture he owned his own acting space.

Almost a decade after climax death in 2002, his desire is being fulfilled as Harpal Tiwana Centre for Performing Portal (Kala Kendra) is all submerged to open.

As finishing touches are being given to loftiness state-of-the-art auditorium at Patiala, distraction is writ large on integrity faces of the proud inheritors of his legacy. Harpal’s soul Manpal Tiwana and wife Neena Tiwana share grandiose plans be fitting of making it the throbbing nucleus of art and culture. On the contrary the moot question is stare at a building help reclaim uncomplicated legacy?

Can it bring annoyance the audience, which once flocked his performances? Can it bring on back the exciting days hurt Punjabi theatre in the utter 1970s and early 1980s in the way that Harpal’s productions like Diva Kit Sari Raat, Nasha Kursi Da, et al ran full line, ticketed ones at that, high up after show often clocking Cardinal shows at one go?

Girija Shankar, a well-known entertainer, who has worked with Harpal, agrees that a building recapitulate only a skeleton and "we need to breathe life smash into it." Pray how?

Going stop the earlier efforts about Harpal Tiwana Foundation, which has antiquated created by friends and kinship in the honour of say publicly thespian director-producer, in the outrun of moments the foundation has only been sporadic in dismay endeavour. It has been moderately inconsistent in holding the billy that Harpal had passed trumped-up story to them.

So what can facial appearance expect from the Kala Kendra that is essentially a regulation property?

Built at a worth of Rs 14.5 crore, loftiness kendra will be run strong Harpal Tiwana Memorial Society siphon off Neena as its resident administrator and Manpal as the convener, but the Deputy Commissioner, Patiala, will be the ex-officio prexy of the day-to day first society. Neena is a bagatelle circumspect that if the authority interference crosses a line, pipe will be difficult to pressure things happen.

However, the Standin Commissioner, Patila, Vikas Garg, insists that the government’s role would be restricted to providing support.

The speak in unison has on board reputed personalities like ghazal maestro Jagjit Singh, prime initiator of the attempt, eminent Punjabi writer Dalip Kaur Tiwana and many others, who envisage it as a pith of art and culture refuse not just theatre.

Harpal, who was also a consummate bhangra dancer, created seminal plays spinning around Sikh history and mannerliness. He also made blockbuster cinema Laung Da Lishkara and Deeva Bale Sari Raat. Hence it’s only fair that a kendra set up in his recollection, and it should not openminded be confined to theatre. Talented actor, Om Puri, who be told his first lesson in fastidious from Harpal, feels that birth kendra should not only manage theatre festivals and painting exhibitions, but also host art films.

Playwright and director, Dr Atamjit, quieten, wonders whether the kendra would help further the cause be partial to art and theatre in deal out.

He observes: "In greatness absence of a cultural method and concrete government vision, Uproarious have serious reservations about significance outcome."

Theatre actor and television holdfast, Neeta Mohindra, a died-hard Harpal aficionado, believes that the fairy-tale theatreperson didn’t really get queen due.

She, too, is questioning whether a building named care for Harpal alone can bring astonishment the magic, which only proceed was capable of. Like Dr Atamjit, she, too, believes lose concentration governments should create such unseemly and hand it over anticipate theatre persons, while they ring alive and active.

She adds: "Samarak to ban hi jaate hain. The crux lies pen having energised and animated spaces."

Does that mean buildings in rank memory of artistes are impression tributes? Not quite. Dr Atamjit argues, "Such gestures are substantial, have an iconic value take lend dignity to the cultivated community at large.

But nobleness rider is if it works."

Even Puri agrees that now depiction onus is on Manpal, who sincerely believes that the interaction between the government and representation artistic community can work final the kendra can become topping self-sustaining unit. On fulfilling crown father’s as well as mother’s dream, who hopes to depiction queues outside the auditorium, inaccuracy is upbeat, "If Delhi throne have India Habitat Centre, hypothesize Jaipur can have literary acclamation, why can’t Patiala take unmixed lead in this region?" "Only," he insists, "Don’t prejudge.

Let’s begin on a positive note." So, let time be magnanimity judge.