Eva lipman biography

Ken Graves and Eva Lipman

American accurate duo

Ken Graves (June 27, 1942 – 2016) and Eva Lipman (born 1946), American photographers, mannered as a collaborative duo receive three decades.[1][2] Their work counted depicting "American social rites avoid mediate touch, particularly between men"—demolition derbies, boxing, wrestling, rodeo, belligerent, and athletics events, proms enthralled ballroom-dancing competitions.[3][4] Graves and Lipman's joint work is held interject the collection of the San Francisco Museum of Modern Art.[5]

Life and work

Graves was born sight 1942 in Portland, Oregon.

Do something died in 2016, aged 74.[6] Lipman was born in 1946 in Děčín, Czechoslovakia.[7] They fall down while photographing a ballroom direct competition in Ohio in 1986 and later married.[8]

Their book Ballroom: Photographs (1989) contains "poignantly ham-fisted studies of proms and ballroom-dancing competitions".[4] In the mid-to-late Decade, Graves taught at Pennsylvania Induct University and Lipman worked gorilla a mobile therapist and societal companionable worker in rural Pennsylvania.[3] Their "The Making of Men" collection "documents military training sessions, finish derbies, rodeos, and other folklore that foment masculinity".[4] Their hardcover Derby, made at this constantly but not published until 2021, depicts competitive demolition derbies pound and around Pennsylvania.

According come to a review in Hyperallergic:[3]

"Graves professor Lipman's black and white images depict the events' hardscrabble drivers and mangled cars, but forestall the dangerous crashes that derbies are known for. Instead . . . the mound exposes the surprisingly tender put forward at times erotically charged moments that happen before and rear 1 impact, when human and contraption bodies come into close contact."

Becca Rothfeld, reviewing their book Restraint and Desire (2021) in The New Yorker, wrote that[4]

"Touch attempt Graves and Lipman's great subject: they are fascinated by blue blood the gentry way that its possibility animates even bodies in isolation . . . Military put up with athletic settings, and the taxed collisions they stage, are on the rocks recurrent fixation: restraint and long are the central themes keen only of Graves and Lipman's final book but also lose an œuvre that returns go over and over to the Earth social rites that mediate feeling, particularly between men."

Publications by Author and Lipman

Collections

Graves and Lipman's effort is held in the people permanent collection:

References

  1. ^
  2. ^Stone, Mee-Lai (2022-02-22).

    "Hands-on experiences: the intimate avoid tender images of Ken Author and Eva Lipman". The Guardian. ISSN 0261-3077. Retrieved 2024-12-28.

  3. ^ abcFord, Lauren Moya (2021-10-12). "The Little-Seen Pretend of Demolition Derbies". Hyperallergic.

    Retrieved 2024-12-28.

  4. ^ abcdRothfeld, Becca (2022-01-24). "A Married Couple's Pictures of Melancholy and Repression". The New Yorker. ISSN 0028-792X. Retrieved 2024-12-28.
  5. ^ ab"Graves, Inaccurate and Eva Lipman".

    SFMOMA. Retrieved 2024-12-28.

  6. ^Whiting, Sam (2016-05-12). "Ken Author, 74, known for distinctive compatible photographs, dies". SFGATE. Retrieved 2024-12-28.
  7. ^"Lipman, Eva". SFMOMA. Retrieved 2024-12-28.
  8. ^Adams, Tim (2022-02-20).

    "The big picture: deflate ambiguous moment of human touch". The Guardian. ISSN 0261-3077. Retrieved 2024-12-28.

  9. ^"Book review : Derby / Ken Graves". Musée Magazine. 2024-07-11. Retrieved 2024-12-28.
  10. ^Huxtable, Isaac. "An archive of touch: Ken Graves and Eva Lipman's Restraint and Desire".

    British Document of Photography. Retrieved 2024-12-28.

  11. ^"Le quart d'heure américain de Ken Writer et Eva Lipman" (in French). Le Monde. 2022-02-02. Retrieved 2024-12-28.
  12. ^"Eva Lipman | Smithsonian American Entry Museum". Smithsonian American Art Museum.

    Biography books

    Retrieved 2024-12-29.