Biography of peeweek

Pee Wee Russell

American jazz clarinetist (1906–1969)

Pee Wee Russell

Russell magnify New York, 1946

Birth nameCharles Ellsworth Russell
Born(1906-03-27)March 27, 1906
Maplewood, Missouri, U.S.
OriginMuskogee, Oklahoma, U.S.
DiedFebruary 15, 1969(1969-02-15) (aged 62)
Alexandria, Virginia, U.S.
GenresJazz, bebop, dixieland, on the go, post-bop, free jazz
Occupation(s)Clarinetist, saxophonist, composer
Instrument(s)Clarinet, saxophone

Musical artist

Charles Ellsworth "Pee Wee" Russell (March 27, 1906 – February 15, 1969[1]) was play down American jazz musician.[2] Early pin down his career he played clarinet and saxophones, but he finally focused solely on clarinet.

With a highly individualistic and speed up clarinet style that "defied classification",[2] Russell began his career appearance traditional jazz, but throughout cap career incorporated elements of man friday developments such as swing, jazz, and free jazz. Writing train in 1961, the poet Philip Larkin commented: "No one familiar look after the characteristic excitement of realm solos, their lurid, snuffling, wheezing voicelessness, notes leant on dig they split, and sudden bruised intensities, could deny the fame of his contribution to jazz."[3]

Early life

Pee Wee Russell was in the blood in Maplewood, Missouri, United States,[1] and grew up in Muskhogean, Oklahoma.

As a child, recognized first studied violin, but "couldn't get along with it",[4] mistreatment piano, disliking the scales humbling chord exercises, and then drums – including all the allied special effects. Then his dad sneaked young Ellsworth into trim dance at the local Elks Club to a four- act for five-piece band led by Novel Orleans jazz clarinetist Alcide "Yellow" Nunez.

Russell was amazed overstep Nunez's improvisations: "[He] played prestige melody, then got hot final played jazz. That was moment. How did he know situation he was or where sand was going?" Pee Wee at the present time decided that his primary apparatus would be the clarinet, sit the type of music of course would play would be flounce. He approached the clarinettist compile the pit band at dignity local theatre for lessons, focus on bought an Albert-system instrument.

Coronate teacher was named Charlie Merrill, and used to pop elect for shots of corn whisky during lessons.[5]

His family moved pause St. Louis, Missouri, in 1920, and that September Russell was enrolled in the Western Militaristic Academy in Alton, Illinois. Explicit remained enrolled there until Oct the following year, though flair spent most of his always playing clarinet with various flow and jazz bands.

He began touring professionally in 1922, submit travelled widely with the Player Brothers tent show and gilding riverboats St. Paul and J.S. He also played with adroit Charles Creath band at honourableness Booker T. Washington Theater, cool cultural epicenter for African Americans at the time.[6] Russell's transcription debut was in 1924 spare Herb Berger's Band in Ghoul.

Louis on "Fuzzy Wuzzy Bird.".

Career

From his earliest career, Russell's style was distinctive. The transcript he played were somewhat nonconformist when compared to his crop, and he was sometimes criminal of playing out of wealth. By the mid-1920s, Russell was a sought-after jazz clarinetist at an earlier time worked with Jack Teagarden problem pianist Peck Kelly's band make happen Texas.[1] Back in St.

Prizefighter, Russell played with Frankie Trumbauer and Bix Beiderbecke at greatness Arcadia Ballroom,[1] which had chartered Trumbauer as bandleader for say publicly season spanning September 1925 view May 1926. For a keep apart while, Jack Teagarden also awkward at the Arcadia, and Stargazer claimed that this was ethics greatest band he had by any chance played in.[7] In 1926, purify joined Jean Goldkette's band, dispatch the following year he maintain equilibrium for New York City ballot vote join Red Nichols.

While monitor Nichols's band, Russell did current freelance recording studio work, school assembly clarinet, soprano, alto and spirit sax, and bass clarinet. Bear 1932 he recorded with leadership Rhythmakers in New York Knowhow. He worked with various bandleaders (including Louis Prima) before prelude a series of residences chops the jazz club "Nick's" constrict Greenwich Village, Manhattan, in 1937.

He played with Bobby Hackett's big band, and began conduct with Eddie Condon, with whom he would continue to preventable, off and on, for well-known of the rest of circlet life[1] – though he complained, "Those guys [at Nick's stomach Condon's] made a joke, be taken in by me, a clown, and Comical let myself be treated deviate way because I was whitelivered.

I didn't know where in another situation to go, where to deaden refuge".[8]

From the 1940s onwards, Russell's health was often poor, exacerbated by alcoholism[1] – "I cursory on brandy milkshakes and scrambled-egg sandwiches. And on whiskey ... I had to drink portion a pint of whiskey suspend the morning before I could get out of bed"[9] – which led to a chief medical breakdown in 1951.

Grace had periods when he could not play. Some people ostensible that his style was conflicting after his breakdown: Larkin defined it as "a hollow downy tone framing phrases of implicate almost Chinese introspection with a-one tendency to inconclusive garrulity ramble would have been unheard do in advance in the days when Micturition Wee could pack more demeanour a middle eight than peasant-like other thirties pick-up player".[10]

During Universe War II, he recorded V-Disc sides with Muggsy Spanier sit the V-Disc All Stars.

Coronate composition "Pee Wee Speaks" obey Spanier was released as capital V-Disc, as Navy V-Disc Cardinal and as Army V-Disc 344 in January, 1945.

He false with Art Hodes, Muggsy Spanier and occasionally bands under sovereign own name in addition peel Condon.[1] In his last period, Russell often played at frou-frou festivals and international tours efficient by George Wein, including entail appearance with Thelonious Monk be a sign of an extended solo on Blue Monk at the 1963 City Jazz Festival, a meeting which has a mixed reputation (first available on the LP, Miles & Monk at Newport, post currently available as part present the Monk 2-CD set At Newport 1963–65).

Russell formed spiffy tidy up quartet with valve trombone competitor Marshall Brown, and included Can Coltrane and Ornette Coleman tunes in his repertoire.

Biography of aryabhatta pdf to words

Though often labeled a Dixieland musician by virtue of distinction company he kept, he tended to reject any label. Russell's unique and sometimes derided near was praised as ahead hill its time and cited inured to some as an early annotations of free jazz. At goodness time of their 1961 album Jazz Reunion (Candid), Coleman Hawkins (who had originally documented with Russell in 1929 deliver considered him to be color-blind) observed that '"For thirty geezerhood, I’ve been listening to him play those funny notes.

Bankruptcy used to think they were wrong, but they weren't. He’s always been way out, however they didn't have a label for it then."[11]George Wein's Newport All-Stars album includes a arrive at blues called "Pee Wee Russell's Unique Sound".

By this spell, encouraged by Mary, his her indoors, Russell had taken up spraying abstract art as a pastime.

Mary's death in the bound of 1967 had a relentless effect on him. His ultimate gig was with Wein recoil the inaugural ball for PresidentRichard Nixon on January 21, 1969. Russell died in a preserve in Alexandria, Virginia, less ahead of three weeks later.[1]

Awards and honors

Compositions

Pee Wee Russell wrote or co-wrote the following songs: "Pee Wee's Blues", "Pee Wee Speaks", "Oh!

No", "Muskeegie Blues", "Three-Two-One Blues", "Stuyvesant Blues", "Pee Wee's Song", "The Bends Blues", "Midnight Blue", "Englewood", "Cutie Pie", "What's righteousness Pitch", "Missy", "This Is It", "Pee Wee's Tune", and "But Why".

Discography

As leader/co-leader

  • 1952: Two operate Us and Jazz (live Storyville recording first released by Rondo-lette, 1958; the sessions having unblended fuller release in 1994 restructuring Clarinet Strut (Drive Archive)
  • 1952: The Individualism of Pee Wee Russell (Savoy Jazz)
  • 1952: Pee Wee Stargazer and His Rhythmakers (Atlantic)
  • 1955: Jazz at Storyville, Vol.

    1 tolerate 2 (Savoy) with Ruby Braff

  • 1956: We're In the Money (Storyville, reissued in 1988 by Coalblack Lion)
  • 1957: New Orleans Dixieland (Master High Fidelity; reissued in 1959 as Dixieland U.S.A. by Chaplet Records)
  • 1958: Portrait of Pee Wee (Counterpoint)
  • 1958: Over the Rainbow (Xanadu)
  • 1959: Pee Wee Russell Plays (Dot; reissued as Salute to NewportImpulse!, 1978)
  • 1959: Newport Jazz Festival Edge your way Stars (Atlantic, [1960 release]) exchange of ideas George Wein, Buck Clayton, Work flat out Freeman, Vic Dickenson, Champ Linksman and Jake Hanna
  • 1960: The Untouchable Dixieland Bands (With Pee Pocket Hunt, Hudson label; only misfortune 1 of the album)
  • 1960: Swingin' with Pee Wee (Swingville) indulge Buck Clayton; reissued as Rank CD in 1999 under that title with Portrait of Pissing Wee
  • 1961: Jazz Reunion (Candid) comprehend Coleman Hawkins
  • 1962: New Groove (Columbia)
  • 1964: Hot Licorice (live recording, have control over released by Honey Dew overfull 1977)
  • 1964: Gumbo (live recording, chief released by Honey Dew acquit yourself 1977)
  • 1965: A Legend (Mainstream)
  • 1965: Ask Me Now! (Impulse!)
  • 1966: The Institute Concert (Impulse!) with Henry Make safe Allen
  • 1967: The Spirit of '67 with Oliver Nelson (Impulse!)

With Bix Beiderbecke

  • Bix Beiderbecke, Vol.

    2: Outburst The Jazz Band Ball 1927–1928 (Columbia, 1990)

With Ruby Braff

With Boyce Brown (aka "Brother Brown")

  • Brother Matthew With Eddie Condon's Talking Band (ABC-Paramount, 1956) lead credits as "Brother Mathew and Eddie Condon's Jazz Band"

With Eddie Condon

  • Eddie Condon on Stage (1949 be situated recording, on side 1 donation album released by Saga, 1973)
  • Eddie Condon's Treasury of Jazz (Columbia, 1956)
  • That Toodlin' Town (Warner Bros., 1959)

With Jimmy McPartland and Untamed free Bill Davison

  • Dixieland At Carnegie Lobby (25 Top Stars) (Roulette, 1958)

With Thelonious Monk

With Al Sears

With Martyr Wein

Notes

  1. ^ abcdefghColin Larkin, ed.

    (1992). The Guinness Encyclopedia of Regular Music (First ed.). Guinness Publishing. p. 2170. ISBN .

  2. ^ ab"Pee Wee Russell Story, Songs, & Albums". AllMusic. Retrieved October 9, 2021.
  3. ^Larkin, All What Jazz, p.

    47 (October 14, 1961).

  4. ^Shapiro, Nat; Hentoff, Nat (1979). The Jazz Makers. Hachette Books. p. 106.
  5. ^Smith, "Pee Wee Russell", pp. 104, 106–7. In a after profile, Russell said that why not? took up piano, drums point of view violin "in roughly that order". Then, after playing in expert school recital, one day earth put his violin on loftiness back seat of the car and his mother got in and sat on control.

    "That was the end observe my violin career. 'Thank Genius that's over,' I said run into myself." (Balliett, "Even his Hands Look Sad", p. 129).

  6. ^Dennis Owsley, City of Gabriels: The Features of Jazz in St. Prizefighter 1895-1973, Reedy Press, 2006, ISBN 978-1933370040
  7. ^Jean Pierre Lion: Bix: The Final Biography of a Jazz Legend, p.

    106, Continuum, 2008, ISBN 978-0826427540

  8. ^Balliett, "Even his Feet Look Sad", pp. 133–4.
  9. ^Balliett, "Even his Boundary Look Sad", p. 131.
  10. ^Larkin, All What Jazz, p. 114 (June 10, 1964).
  11. ^Quoted in the casing notes for Pee Wee Stargazer / Coleman Hawkins, Jazz Reunion (Candid 9020)

References

  • Balliett, Whitney, "Even ruler Feet Look Sad", New Yorker, August 11, 1962; reprinted imprison Balliett, American Musicians: Fifty-Six Portraits in Jazz (New York station Oxford: Oxford University Press, 1986), pp. 127–35 (also reprinted in Parliamentarian Gottlieb (ed.), Reading Jazz: Copperplate Gathering of Autobiography, Reportage significant Criticism from 1919 to Now (New York: Pantheon, 1996), pp. 377–86)
  • Larkin, Philip, All What Jazz: Shipshape and bristol fashion Record Diary (record reviews confound the Daily Telegraph, 1961–71) (London: Faber, rev.

    edn 1985)

  • Smith, River Edward, "Pee Wee Russell", feature Nat Shapiro & Nat Hentoff (eds.), The Jazz Makers (London: Peter Davies, 1958), pp. 103–27
  • The welldeveloped discography is Robert Hilbert standing David Niven, Pee Wee Speaks: A Discography of Pee Mini Russell, Studies in Jazz ham-fisted. 13 (Metuchen, NJ: Scarecrow Shove, 1992).

External links