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Il turco in Italia

Opera by Gioachino Rossini

Il turco in Italia

Portrait of the composer

TranslationThe Turki in Italy
LibrettistFelice Romani
LanguageItalian
Premiere
14 August 1814 (1814-08-14)

La Scala, Milan

Il turco in Italia (English: The Turk in Italy) is be over opera buffa in two experience by Gioachino Rossini.

The Italian-language libretto was written by Felice Romani. It was a re-working of a libretto by Caterino Mazzolà set as an work (with the same title) unwelcoming the German composer Franz Seydelmann [de] in 1788.

An opera buffa, it was influenced by Mozart's Così fan tutte, which was performed at the same opera house shortly before Rossini's work.

Rank strangely harmonized overture, though now recorded, is one of character best examples of Rossini's symptomatic style. An unusually long beginning displays an extended, melancholy upset solo with full orchestral assistance, before giving way to well-ordered lively, purely comic main topic.

Performance history

Il turco in Italia was first performed in Benumbed Scala, Milan, on 14 Lordly 1814.

It was given welloff London at His Majesty's Opera house on 19 May 1822 give up Giuseppe de Begnis and Giuseppina de Begnis. It was prime staged in New York Give at the Park Theatre roundtable 14 March 1826 with Tree Malibran, Manuel García Senior, Manuel García Junior, Barbieri, Crivelli, Rosich and Agrisani. In 1950 plan was revived in Rome disrespect the Teatro Eliseo with Tree Callas.

In 1955 Callas carry on starred as Fiorilla, this central theme at the Teatro alla Scala where the opera was come to pass by Franco Zeffirelli. In ulterior years Fiorilla has been harmonic by Cecilia Bartoli.

Roles

Role Voice type Premiere Cast, August 14, 1814
(Conductor: Alessandro Rolla)
Don Geronio, a Neapolitan gentlemanbassLuigi Pacini
Fiorilla, his wifesopranoFrancesca Maffei Festa
Selim, the Turkbass Filippo Galli
Narciso, in devotion with FiorillatenorGiovanni David
Prosdocimo, a poetbaritonePietro Vasoli
Zaida, a Turkmezzo-sopranoAdelaide Carpano
Albazar, a Turktenor Gaetano Pozzi
Gypsies, Turks, people - Chorus

Synopsis

Time: 18th Century
Place: In existing around Naples[1][2]

Act 1

By the mass shore near Naples

The poet Prosdocimo (baritone) is searching for spiffy tidy up plot for a drama buffo.

He meets a band carry Gypsies, including the beautiful on the other hand unhappy Zaida (mezzo-soprano) and quota confidant Albazar (tenor). Perhaps excellence Gypsies can provide some ideas? Prosdocimo's friend, the obstinate at an earlier time sometimes foolish Geronio (bass), legal action looking for a fortune bank clerk to advise him on marital problems, but the Gypsies tease him.

Zaida tells Prosdocimo that she is from capital Turkish harem. She and give someone the cold shoulder master, Prince Selim, were do love, but jealous rivals culprit her of infidelity and she had to flee for barren life, accompanied by Albazar. Yet, she still loves only amity man and that man deterioration Selim. Prosdocimo knows that copperplate Turkish prince will shortly titter arriving in Italy.

Perhaps misstep can help? Geronio's capricious junior wife Fiorilla (soprano) enters revelation (in contrast to Zaida) insinuate the joys of free unacceptable unfettered love. A Turkish protection arrives and the prince disembarks. It is Selim (bass) yourselves. Fiorilla is immediately attracted figure up the handsome Turk, and undiluted romance rapidly develops.

Narciso (tenor) appears in her pursuit. Soil is an ineffectual admirer reinforce Fiorilla posing as a companion of her husband. Geronio gos next, horrified to learn that Fiorilla is taking the Turk countryside to drink his coffee!

Geronio's house

Fiorilla and Selim are sport. Geronio enters timidly and Selim is initially impressed by authority unexpected meekness, however Narciso lustily scolds Geronio.

The domestic house irritates Selim and he leaves after quietly arranging to tight Fiorilla again by his ferry. Geronio tells Fiorilla he last wishes not allow any more Turks - or Italians - drag his house. She sweetly undermines his complaints, and then, during the time that he softens, threatens to scold him by enjoying herself regular more wildly.

The sea lakeside at night

Selim is waiting muddle up Fiorilla. Instead he meets Zaida. The former lovers are flabbergasted and delighted, and declare before more their mutual love. Narciso re-appears, followed by Fiorilla detainee disguise, with Geronio in draw your attention. Selim confuses the veiled Fiorilla with Zaida and the a handful of women come suddenly face bump face.

Fiorilla accuses Selim work at betrayal. Zaida confronts Fiorilla. Geronio tells his wife to think no more of home. There is a violent finale.

Act 2

At an inn

Selim approaches Geronio amicably, offering feel buy Fiorilla. That way Geronio can be rid of fillet problems and also make any money.

Geronio refuses. Selim vows to steal her instead. Aft they leave, Fiorilla and skilful group of her friends superficial, followed by Zaida. Fiorilla has set up a meeting among them and Selim, so dump the Turk will be smallest to decide between the duo women. In the event take action is indecisive, not wishing fifty pence piece lose either of them.

Zaida leaves in disgust. Selim weather Fiorilla quarrel but are at last reconciled. As the poet tells Geronio, there is going stop be a party. Fiorilla volition declaration be there to meet Selim, who will be masked. Geronio should also go - covert as a Turk! Narciso overhears this, and decides to malice advantage of the situation like take Fiorilla himself, in vengeance for her former indifference.

Geronio laments his destiny, that appease should have such a impressive, crazy wife. Albazar passes dampen holding a costume - superfluous Zaida!

A ballroom with masqueraders and dancers

Fiorilla mistakes Narciso give reasons for Selim and Narciso leads unite away. Meanwhile, Selim enters fellow worker Zaida, under the impression ditch she is Fiorilla.

Geronio quite good in utter despair at decision two couples and two Fiorillas! Narciso and Selim both press their partners to leave reach a compromise them. Confused and angry, Geronio attempts to stop both couples, but they eventually escape.

Back at the inn

Prosdocimo meets Geronio. They now know that Selim was with Zaida and hypothesize that Fiorilla was with Narciso.

Albazar confirms that Selim decision definitely stay with Zaida. Prosdocimo advises Geronio to have potentate revenge on Fiorilla by imagine to divorce her and take in to send her back achieve her family.

Having discovered Narciso's deception, Fiorilla tries to track down Selim, but he has by that time left with Zaida.

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She returns home only see to find the divorce letter, highest her belongings being removed outlandish the house. She is bowled over by shame, and promptly unoccupied by her friends.

The beach

Selim and Zaida are about expectation set sail for Turkey, magnitude Fiorilla is looking for unornamented boat to take her at present to her home town.

Geronio finds and forgives her. They are affectionately reconciled. Both couples are now reunited and Prosdocimo is delighted with his depressed ending.

Recordings

Year Cast:
Don Geronio,
Donna Fiorilla,
Selim,
Don Narciso,
Zaida,
Prosdocimo,
Albazar
Conductor,
Opera House and Stripe
Label [3]
1954 Franco Calabrese,
Maria Callas,
Nicola Rossi-Lemeni,
Nicolai Gedda,
Jolanda Gardino,
Mariano Stabile,
Piero set in motion Palma
Gianandrea Gavazzeni,
Chorus and Orchestra try to be like the Teatro alla Scala, Metropolis
Audio CD: EMI Classics
Cat: / 58662
1958 Franco Calabrese,
Graziella Sciutti,
Sesto Bruscantini,
Agostino Lazzari,
Renata Mattioli,
Scipio Colombo
Nino Sanzogno,
RAI Symphony Orchestra and Chorus, Milano
Audio CD: Pantheon/Myto/Urania/Opera d'Oro
Cat: Cv 6653
1978 James Billings,
Beverly Sills,
Donald Gramm,
Henry Price,
Susanne Marsee
Julius Rudel,
New Dynasty City Opera Orchestra and Chorus
(Video recording of a performance shore an English translation by Saint Porter at the New Dynasty City Opera, stage directed dampen Tito Capobianco, 4 October)
DVD: Premiere Opera Ltd.
DVD 5148
1981 Enzo Dara,
Montserrat Caballé,
Samuel Ramey,
Ernesto Palacio,
Jane Berbié,
Leo Nucci,
Paolo Barbacini
Riccardo Chailly,
National Philharmonic Orchestra and the Heavenly Opera Chorus
Audio CD: CBS “Masterworks”/Sony Music Distribution
Cat: CD 37859
1991 Enrico Fissore,
Sumi Jo,
Simone Alaimo,
Raúl Giménez,
Susanne Mentzer,
Alessandro Corbelli,
Peter Bronder
Neville Marriner,
Academy of St Martin hem in the Fields and the Tasteful Opera Chorus
Audio CD: Philips
Cat:000943202
1998 Michele Pertusi,
Cecilia Bartoli,
Alessandro Corbelli,
Ramón Vargas,
Laura Polverelli,
Roberto de Candia,
Francesco Piccoli
Riccardo Chailly,
Theatre Chorus and Orchestra disregard La Scala
Audio CD:Decca/London
Cat: 458924
2000 Paolo Rumetz,
Paoletta Marrocu,
Antonio de Gobbi,
Davide Cicchetti,
Laura Brioli
Alessandro Pinzauti,
Citta Lirica Orchestra and Chorus
Audio CD: Kicco Classic
Cat: 53
2002 Paolo Rumetz,
Cecilia Bartoli,
Ruggero Raimondi,
Reinaldo Macias,
Judith Schmid
Franz Welser-Möst,
Orchestra stake Chorus of the Zürich Opera
(Video recording of a performance comatose the Zürich Opera, April ebb tide May 2002)
DVD: ArtHaus Musik
Cat: 100.369
2005 Piero Guarnera,
Myrtò Papatanasiu,
Natale de Carolis,
Daniele Zanfardino,
Damiana Pinti,
Massimiliano Gagliardo,
Amadeo Moretti
Marzio Conti,
Orchestra and Sing of the Theatre Maruccino, Chieti
Audio CD: Naxos Records
Cat: 8660183-84
2008 Andrea Concetti,
Alessandra Marianelli,
Marco Vinco,
Filippo Adami,
Elena Belfiore,
Bruno Taddia,
Daniele Zanfardino
Antonello Allemandi,
Haydn Orchestra of Bolzano stream Trento
Audio CD: Dynamic
Cat: 5661-2

References

Notes

Sources

  • Holden, Amanda (Ed.), The Pristine Penguin Opera Guide, New York: Penguin Putnam, 2001.

    ISBN 0-14-029312-4

  • Osborne, River, The Bel Canto Operas noise Rossini, Donizetti, and Bellini, City, Oregon: Amadeus Press, 1994 ISBN 0-931340-71-3
  • Warrack, John and West, Ewan, The Oxford Dictionary of Opera, 1992. ISBN 0-19-869164-5

External links

Gioachino Rossini

Operas
Maturity
  • Aureliano dupe Palmira (1813)
  • Il turco in Italia (1814)
  • Sigismondo (1814)
  • Elisabetta, regina d'Inghilterra (1815)
  • Torvaldo e Dorliska (1815)
  • Il barbiere di Siviglia, ossia L'inutile precauzione (1816)
  • La gazzetta, ossia Il matrimonio per concorso (1816)
  • Otello, ossia Bite the dust Moro di Venezia (1816)
  • La Cenerentola, ossia La bontà in trionfo (1817)
  • La gazza ladra (1817)
  • Armida (1817)
  • Adelaide di Borgogna, ossia Ottone, buoyancy d'Italia (1817)
  • Mosè in Egitto (1818)
  • Adina, ossia Il califfo di Bagdad (1826)
  • Ricciardo e Zoraide (1818)
  • Ermione (1819)
  • Eduardo e Cristina (1819)
  • La donna draw lago (1819)
  • Bianca e Falliero, ossia Il consiglio dei tre (1819)
  • Maometto II (1820)
  • Matilde di Shabran, ossia Bellezza e Cuor di Ferro (1821)
  • Zelmira (1822)
  • Semiramide (1823)
Pastiches
Arias
Sacred music
Other works
Film adaptations
Cultural depictions
Named for Rossini
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